![the album cover for Miles Davis - Birth Of The Blue [180 Gram]](https://cdn.shopify.com/s/files/1/0813/5530/9271/files/4513914-3593393.jpg?v=1780412480&width=100&height=100&crop=center)
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Miles Davis - Birth Of The Blue [180 Gram]
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For Wynton Kelly, Kelly Blue marked a career highlight. A blueprint for blues-infused hard bop, Kelly Blue is Kelly's definitive statement as a bandleader - a swinging, blues-soaked masterclass in touch, taste, and timing. This is the sound of a pianist playing with both finesse and fire. The Pitch (and it swings hard) If you're assembling a jazz collection and Kelly Blue isn't on your shelf, you're basically hosting a dinner party without food. Kelly was the pianist Miles Davis trusted enough to bring into his band and replace Red Garland. Kelly was the ultimate sideman turned understated hero - blending gospel fire, blues grit, and bebop elegance into a buttery-smooth flow that made his touch unmistakable. On Kelly Blue, he steps out of the shadow and into the spotlight, where he glows like a well-polished Steinway under stage lights. And Kelly brought friends on this auspicious date. Paul Chambers (bass) - So solid, they used him to calibrate metronomes. Jimmy Cobb (drums) - Subtle as a whisper, sharp as a whip. And Nat Adderley (cornet), Benny Golson (tenor sax), and Bobby Jaspar (flute) - Because sometimes, you need a horn section that sounds like they're reciting poetry in perfect harmony. These cats don't just support Kelly - they elevate him. Bottom line, Kell (more...)
| 1 | Kelly Blue | 10:41 |
| 2 | Softly, As In A Morning Sunrise | 6:24 |
| 3 | Green Dolphin Street | 4:39 |
| 4 | Willow Weep For Me | 6:03 |
| 5 | Keep It Moving | 7:26 |
| 6 | Old Clothes | 7:37 |
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