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With their ever-mutating brand of jazz- and country-laced punk, Opus Kink have always cut a singular figure in a saturated landscape. Making their name with incendiary, cult-like live shows, the band has developed a sound as elusive as it is recognizable. Underscored by a formidable horn section and a ragged, sardonic delivery, the group bears a passing resemblance to post-punk and no-wave acts such as The Pop Group, The Birthday Party, and the Lounge Lizards. However, it is their weaving of older, more traditional influences-choral, folk, country, Latin, Weimar cabaret, and cruise-ship crooning-into the fabric of their music that truly sets them apart. Their highly anticipated debut album, The Sweet Goodbye, follows a series of EPs and singles that have earned acclaim from NME, DORK, DIY, CLASH, So Young, BBC Radio 1, and playlisting on BBC Radio 6 Music. The album was produced by Grammy Award-winning producer and mixer Craig Silvey (Arcade Fire, Florence & The Machine, R.E.M.) and features a guest appearance by The New Eves, whose 2025 debut album reached No. 1 on the UK's Official Independent Albums Chart.
| 1 | Rolling Stone | |
| 2 | Run Game | |
| 3 | TTG | |
| 4 | Nail In The Coffin | |
| 5 | The Gavel | |
| 6 | Torches | |
| 7 | The Path (featuring Eric Ellis) | |
| 8 | Play The Fool | |
| 9 | The Standard | |
| 10 | DTWD |
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