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The Swiss writer Friedrich Dürrenmatt, whose birth centenary was in 2021, is the protagonist of the second instalment of the MUSIC & WORDS series proposed by Facundo Agudín and Musique des Lumières in collaboration with IBS Classical. The ensemble, whose activity shines from the Swiss Jura, sought to pay tribute to the unfairly forgotten artist. The occasion of his centenary has seen his works return to bookshops in recent months and their reappraisal beyond the borders of his native country. The Dürrenmatt Project is the multifaceted tribute with which Facundo Agudín and Musique des Lumières want to vindicate the figure of a protean and committed artist: from Pflüger's thrilling tragicomedy Jedes Kunstwerk ist apokalyptisch - oder Bach und Dürrenmatt (Every work of art is apocalyptic - or Bach and Dürrenmatt) to the sardonic and imaginative score of The Minotaure by Genessey-Rappo, passing through the discourse between the atavistic and the experimental of Respiro (Breathe) by Pérez-Ramírez and the mystical and textural sonority of Stoff by Sontòn Caflisch. These four scores highlight Dürrenmatt as a writer and a visual artist; in short, one of the most authentic and respected thinkers of the 20th century.
The Swiss writer Friedrich Dürrenmatt, whose birth centenary was in 2021, is the protagonist of the second instalment of the MUSIC & WORDS series proposed by Facundo Agudín and Musique des Lumières in collaboration with IBS Classical. The ensemble, whose activity shines from the Swiss Jura, sought to pay tribute to the unfairly forgotten artist. The occasion of his centenary has seen his works return to bookshops in recent months and their reappraisal beyond the borders of his native country. The Dürrenmatt Project is the multifaceted tribute with which Facundo Agudín and Musique des Lumières want to vindicate the figure of a protean and committed artist: from Pflüger's thrilling tragicomedy Jedes Kunstwerk ist apokalyptisch - oder Bach und Dürrenmatt (Every work of art is apocalyptic - or Bach and Dürrenmatt) to the sardonic and imaginative score of The Minotaure by Genessey-Rappo, passing through the discourse between the atavistic and the experimental of Respiro (Breathe) by Pérez-Ramírez and the mystical and textural sonority of Stoff by Sontòn Caflisch. These four scores highlight Dürrenmatt as a writer and a visual artist; in short, one of the most authentic and respected thinkers of the 20th century.
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The Swiss writer Friedrich Dürrenmatt, whose birth centenary was in 2021, is the protagonist of the second instalment of the MUSIC & WORDS series proposed by Facundo Agudín and Musique des Lumières in collaboration with IBS Classical. The ensemble, whose activity shines from the Swiss Jura, sought to pay tribute to the unfairly forgotten artist. The occasion of his centenary has seen his works return to bookshops in recent months and their reappraisal beyond the borders of his native country. The Dürrenmatt Project is the multifaceted tribute with which Facundo Agudín and Musique des Lumières want to vindicate the figure of a protean and committed artist: from Pflüger's thrilling tragicomedy Jedes Kunstwerk ist apokalyptisch - oder Bach und Dürrenmatt (Every work of art is apocalyptic - or Bach and Dürrenmatt) to the sardonic and imaginative score of The Minotaure by Genessey-Rappo, passing through the discourse between the atavistic and the experimental of Respiro (Breathe) by Pérez-Ramírez and the mystical and textural sonority of Stoff by Sontòn Caflisch. These four scores highlight Dürrenmatt as a writer and a visual artist; in short, one of the most authentic and respected thinkers of the 20th century.
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