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In 1991, Philippe Herreweghe and La Chapelle Royale recorded three Bach cantatas on the themes of suffering and death - death viewed as a kindly comforter. The soloist was the prodigious bass Peter Kooy, a long-standing partner of the ensemble and a key figure in it's magnificent survey of Bach's cantatas, motets and Passions.
In 1991, Philippe Herreweghe and La Chapelle Royale recorded three Bach cantatas on the themes of suffering and death - death viewed as a kindly comforter. The soloist was the prodigious bass Peter Kooy, a long-standing partner of the ensemble and a key figure in it's magnificent survey of Bach's cantatas, motets and Passions.
3149020945438
Bach: Cantatas For Bass [Reissue]
Artist: Peter Kooy
Format: CD
New: Available $19.98 $15.55 ON SALE
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Formats and Editions

CD - Reissue
$15.55
DISC: 1

1. Bach: Ich Habe Genug, BWV 82: I. Aria "Ich Habe Genug"
2. Bach: Ich Habe Genug, BWV 82: II. Recitativo "Ich Habe Genug!"
3. Bach: Ich Habe Genug, BWV 82: III. Aria "Schlummert Ein, Ihr Matten Augen"
4. Bach: Ich Habe Genug, BWV 82: IV. Recitativo "Mein Gott! Wenn KÖMMT Das Schöne: Nun!" Bach: Ich Habe Genug, BWV 82: V. Aria "I
5. Bach: Ich Will Den Kreuzstab Gerne Tragen, BWV 56: I. Aria "Ich Will Den Kreuzstab Gerne Tragen"
6. Bach: Ich Will Den Kreuzstab Gerne Tragen, BWV 56: II. Recitativo "Mein Wandel Auf Der Welt"
7. Bach: Ich Will Den Kreuzstab Gerne Tragen, BWV 56: III. Aria "Endlich, Endlich Will Mein Joch"
8. Bach: Ich Will Den Kreuzstab Gerne Tragen, BWV 56: IV. Recitativo ; Aria "Ich Stehe Fertig"
9. Bach: Ich Will Den Kreuzstab Gerne Tragen, BWV 56: V. Choral "Komm, O Tod, Du Schlafes Bruder"
10. Bach: Der Friede Sei Mit Dir, BWV 158: Recitativo "Der Friede Sei Mit Dir"
11. Bach: Der Friede Sei Mit Dir, BWV 158: II. Aria Con Corale "Welt, Ade, Ich Bin Dein Müde"
12. Bach: Der Friede Sei Mit Dir, BWV 158: Recitativo "Nun Herr"
13. Bach: Der Friede Sei Mit Dir, BWV 158: Choral "Hier Ist Das Rechte Osterlamm"

More Info:

In 1991, Philippe Herreweghe and La Chapelle Royale recorded three Bach cantatas on the themes of suffering and death - death viewed as a kindly comforter. The soloist was the prodigious bass Peter Kooy, a long-standing partner of the ensemble and a key figure in it's magnificent survey of Bach's cantatas, motets and Passions.
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